There is nothing rigid in this early chinese work , because the predilection for undulating lines imparts a sense of movement to the whole picture 這幅中國早期作品中絲毫沒有生硬之處,因為畫中非凡喜歡使用起伏的線條,這就賦予了整個畫面一種運動感。
There is nothing rigid in this early chinese work , because the predilection for undulating lines imparts a sense of movement to the whole picture 這幅中國早期作品中絲毫沒有生硬之處,因為畫中特別喜歡使用起伏的線條,這就賦予了整個畫面一種運動感。